{"id":28082,"date":"2026-08-23T19:26:31","date_gmt":"2026-08-23T23:26:31","guid":{"rendered":"https:\/\/damasketdentelle.com\/?p=28082"},"modified":"2026-08-23T19:34:25","modified_gmt":"2026-08-23T23:34:25","slug":"location-location-location","status":"publish","type":"post","link":"https:\/\/damasketdentelle.com\/index.php\/2026\/08\/location-location-location\/","title":{"rendered":"Location, Location, Location"},"content":{"rendered":"

On r\u00e9p\u00e8te depuis toujours que l\u2019emplacement est la r\u00e8gle num\u00e9ro un en immobilier. En architecture, l\u2019adresse ne suffit \u00e9videmment pas. Il faut aussi comprendre le terrain, son orientation, ses vues et sa lumi\u00e8re.<\/p>\n

C\u2019est pr\u00e9cis\u00e9ment ce qui m\u2019int\u00e9resse dans cette r\u00e9sidence con\u00e7ue par Michael Taylor Architecture + Design<\/a> dans le sud de l\u2019Ontario. Termin\u00e9e en 2010, la maison de 3 400 pieds carr\u00e9s est install\u00e9e au bord d\u2019un lac priv\u00e9. Pour la concevoir, Taylor a \u00e9tudi\u00e9 les perspectives sur l\u2019eau, la trajectoire du soleil, les mat\u00e9riaux de la r\u00e9gion et m\u00eame les diff\u00e9rentes couleurs du ciel.<\/p>\n

Le projet s\u2019inscrit aussi dans une histoire beaucoup plus longue de maisons modernes qui utilisent le verre pour \u00e9tablir une relation directe avec leur environnement.<\/p>\n

\"\"<\/p>\n

Petite histoire de maisons de verre<\/h2>\n

Difficile de regarder une maison moderne largement vitr\u00e9e sans penser \u00e0 deux des r\u00e9sidences les plus c\u00e9l\u00e8bres du XXe si\u00e8cle : la Glass House de Philip Johnson, termin\u00e9e en 1949 \u00e0 New Canaan, au Connecticut, et la Farnsworth House de Ludwig Mies van der Rohe, achev\u00e9e en 1951 pr\u00e8s de Chicago.<\/p>\n

Les deux projets sont intimement li\u00e9s. Johnson connaissait les plans de la Farnsworth House alors qu\u2019il travaillait sur sa propre r\u00e9sidence et reconna\u00eetra lui-m\u00eame l\u2019influence de Mies. Les deux architectes explorent alors une id\u00e9e assez radicale pour l\u2019architecture domestique : remplacer une grande partie des murs ext\u00e9rieurs traditionnels par du verre.<\/p>\n

Chez Mies, la Farnsworth House est essentiellement constitu\u00e9e de deux plans horizontaux, le plancher et le toit, soutenus par huit colonnes d\u2019acier. Les parois de verre laissent le paysage visible depuis presque tout l\u2019int\u00e9rieur.<\/p>\n

Johnson pousse encore davantage l\u2019exp\u00e9rience avec une maison dont les quatre fa\u00e7ades sont vitr\u00e9es. La Glass House devient rapidement une r\u00e9f\u00e9rence de l\u2019architecture moderne am\u00e9ricaine et contribue \u00e0 faire entrer les principes de l\u2019International Style dans l\u2019architecture r\u00e9sidentielle.<\/p>\n

Plus de soixante ans plus tard, la Lake House de Michael Taylor reprend plusieurs questions pos\u00e9es par ces maisons : jusqu\u2019o\u00f9 ouvrir une r\u00e9sidence sur son environnement? Comment utiliser le verre pour organiser les vues? Quelle place donner au paysage dans le plan?<\/strong><\/p>\n

Taylor choisit une utilisation beaucoup plus s\u00e9lective du verre. La transparence devient l\u2019un des outils utilis\u00e9s pour r\u00e9pondre aux particularit\u00e9s du terrain.<\/p>\n

\"\"<\/p>\n

Cacher le lac<\/h2>\n

\u00c0 l\u2019arriv\u00e9e, de longs murs en calcaire de l\u2019Ontario structurent l\u2019entr\u00e9e et limitent volontairement les perspectives vers le lac. Le paysage se d\u00e9couvre progressivement lorsqu\u2019on avance vers les espaces de vie.<\/p>\n

Le choix du calcaire participe aussi \u00e0 cette r\u00e9flexion sur le site. La pierre provient de l\u2019Ontario et donne une pr\u00e9sence importante aux murs qui encadrent la maison et ses espaces ext\u00e9rieurs.<\/p>\n

Dessiner la vue<\/h2>\n

Du c\u00f4t\u00e9 du lac, la fa\u00e7ade est largement vitr\u00e9e. Aux deux extr\u00e9mit\u00e9s, le verre se courbe pour cr\u00e9er des espaces arrondis qui accueillent la salle \u00e0 manger et le salon.<\/p>\n

Ces courbes \u00e9largissent le champ visuel depuis les pi\u00e8ces principales et multiplient les perspectives sur le lac. Elles montrent aussi que la conception d\u2019une vue d\u00e9pend de d\u00e9cisions tr\u00e8s concr\u00e8tes : la position d\u2019une ouverture, ses dimensions, son orientation et l\u2019endroit depuis lequel on la regarde.<\/p>\n

C\u2019est ici que l\u2019h\u00e9ritage de la glass house devient particuli\u00e8rement visible. Le verre est utilis\u00e9 comme un v\u00e9ritable \u00e9l\u00e9ment architectural pour organiser la relation avec le terrain.<\/p>\n

\"\"<\/p>\n

Suivre le soleil<\/h2>\n

Taylor accorde la m\u00eame attention \u00e0 la lumi\u00e8re naturelle.<\/p>\n

Trois grandes ouvertures elliptiques percent le toit. Leur emplacement a \u00e9t\u00e9 d\u00e9termin\u00e9 en fonction du d\u00e9placement du soleil afin de faire entrer la lumi\u00e8re \u00e0 diff\u00e9rents moments de la journ\u00e9e. Un autre puits de lumi\u00e8re, long et \u00e9troit, longe deux c\u00f4t\u00e9s du volume central qui contient l\u2019\u00e9tage.<\/p>\n

La lumi\u00e8re naturelle fait donc partie des \u00e9l\u00e9ments \u00e9tudi\u00e9s d\u00e8s la conception, avec des ouvertures dessin\u00e9es et positionn\u00e9es en fonction des conditions pr\u00e9cises du terrain.<\/p>\n

\"\"<\/p>\n

Photographier le ciel<\/h2>\n

Et voici probablement mon d\u00e9tail pr\u00e9f\u00e9r\u00e9.<\/p>\n

Le volume de l\u2019\u00e9tage est recouvert de panneaux de verre dans diff\u00e9rentes nuances de bleu. Pour d\u00e9terminer lesquelles utiliser, l\u2019\u00e9quipe de Michael Taylor a photographi\u00e9 le ciel au-dessus de la propri\u00e9t\u00e9. Les couleurs relev\u00e9es sur ces photographies ont ensuite servi \u00e0 s\u00e9lectionner les teintes du verre.<\/p>\n

J\u2019adore.<\/p>\n

Parce que ce d\u00e9tail permet de comprendre la m\u00e9thode derri\u00e8re le projet. Observer, documenter, puis utiliser les informations recueillies pour prendre une d\u00e9cision de design.<\/p>\n

C\u2019est finalement ce qui rend cette maison int\u00e9ressante dans la longue histoire des maisons de verre. Taylor reprend une question que Mies et Johnson posaient d\u00e9j\u00e0 au milieu du XXe si\u00e8cle et l\u2019applique aux conditions particuli\u00e8res de ce terrain ontarien.<\/p>\n

Location, location, location.<\/strong> Ici, l\u2019emplacement n\u2019est pas simplement l\u2019endroit o\u00f9 la maison a \u00e9t\u00e9 construite. Il fournit une bonne partie des informations qui ont servi \u00e0 la dessiner.<\/p>\n

\"\"<\/p>\n

Source: Michael Taylor Architecture + Design<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

On r\u00e9p\u00e8te depuis toujours que l\u2019emplacement est la r\u00e8gle num\u00e9ro un en immobilier. En architecture, l\u2019adresse ne suffit \u00e9videmment pas. Il faut aussi comprendre le terrain, son orientation, ses vues et sa lumi\u00e8re. C\u2019est pr\u00e9cis\u00e9ment ce qui m\u2019int\u00e9resse dans cette r\u00e9sidence con\u00e7ue par Michael Taylor Architecture + Design dans le sud de l\u2019Ontario. Termin\u00e9e en…<\/p>\n

Read More<\/a><\/p>","protected":false},"author":1,"featured_media":28083,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4465,3432],"tags":[2968,4604,4603,4602],"class_list":["post-28082","post","type-post","status-publish","format-standard","has-post-thumbnail","category-architecture","category-francais","tag-featured","tag-glass-house","tag-lake-house","tag-michael-taylor-architecture-design","entry"],"yoast_head":"\nLocation, Location, Location<\/title>\n<meta name=\"description\" content=\"Visite d\u2019une maison au bord d\u2019un lac sign\u00e9e Michael Taylor, entre h\u00e9ritage des Glass Houses, architecture moderne et relation au paysage.\" \/>\n<meta name=\"robots\" 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